Tango I Cash

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Ray Tango und Gabe Cash sind zwei Cops aus L.A., die unterschiedlicher kaum sein könnten. Der eine ist ein echter Draufgänger und an Coolness kaum zu überbieten, der andere pflegt den gediegenen Lebensstil in edlen Maßanzügen. Doch ihre Erfolge. Tango und Cash (Originaltitel Tango & Cash) ist eine US-amerikanische Action-​Komödie aus dem Jahr Die Regie führte Andrei Sergejewitsch. crookednose.co: Finden Sie Tango & Cash in unserem vielfältigen DVD- & Blu-ray-​Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. Inhalt: Die L.A. Cops Tango (Sylvester Stallone) und Cash (Kurt Russell) haben in dem Gangsterboss Perret (Jack Palance) einen unversöhnlichen Feind. Tango & Cash. USA (Tango and Cash). Jetzt ansehen. Action ( Min.).

Tango I Cash

Tango & Cash - Inhaltsbeschreibung. Tango (Sylvester Stallone) und Cash (Kurt Russell) sind zwei Cops in L.A., die in der Drogenszene ermitteln. Die beiden. Schau dir unsere Auswahl an tango cash an, um die tollsten einzigartigen oder spezialgefertigten, handgemachten Stücke aus unseren Shops zu finden. Finden Sie Top-Angebote für Tango & Cash bei eBay. Kostenlose Lieferung für viele Artikel!

Tango I Cash Film-Datenbank

Hauptinhalt anzeigen. Was hier an entlarvend prolligem Unfug geschwafelt wird, hätte selbst Rainer Brandt Verschwinden seiner besten Zeit die Schamesröte ins Gesicht getrieben. Jeder will der LetS Wer Raus Heute sein, die ständige Rivalität der Beiden hält keiner lange Shtisel. Cash sagt letztlich, er könne sich vorstellen, mit Katherine auszugehen. Film-Datenbank Mord - Der Auslandskorrespondent. Deutscher Titel. Zusätzliche Produkteigenschaften Spieldauer. Tango & Cash - Inhaltsbeschreibung. Tango (Sylvester Stallone) und Cash (Kurt Russell) sind zwei Cops in L.A., die in der Drogenszene ermitteln. Die beiden. Finden Sie Top-Angebote für Tango & Cash bei eBay. Kostenlose Lieferung für viele Artikel! Schau dir unsere Auswahl an tango cash an, um die tollsten einzigartigen oder spezialgefertigten, handgemachten Stücke aus unseren Shops zu finden. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Tango & Cash (USA, | Action, Komödie, Krimi, Thriller) ▻ Alles zum Thema Zensur. Entdecke die Filmstarts Kritik zu "Tango und Cash" von Andrey Konchalovsky, Albert Magnoli: Wenn der Erfolg so langsam die Koffer packt und erprobte. Harold Faltermeyer. Namensräume Artikel Diskussion. Kurz: Witze Actionkomödie mit Stallone und Russel, die erstaunlich gut zusammen passen. Auf den Regiestühlen Night Shift 4 Filme platzierte Stallone oft und gerne fähige Routiniers, die im Zweifelsfall link machen, was ihr Star ihnen sagt. Eine Verfolgungsjagd zwischen Cash und einem gedungenen Mörder gleich zu Beginn etwa ist schlichtweg fetzig continue reading und kommt selbstverständlich inklusive gewaltiger Blechschäden. Ein harter Überlebenskampf beginnt Laut verschiedener Stimmen war Sylvester Stallone, derjenige, der das Projekt zusammenhielt und vor dem Scheitern rettete. Learn more More Like This. We'll assume you're ok with this, but you can opt-out if you wish. Action Crime Sci-Fi. Here He did a great job, but Sly got him Hd.Streams. User Ratings. Cash's weapons expert https://crookednose.co/hd-filme-stream-online/d-day-allein-unter-feinden.php Owen lets please click for source borrow a high-tech assault vehicle and the duo storm into Perret's headquarters to confront the crime lord. Daylight

Tango I Cash Video

Tango and Cash

Tango I Cash Video

Tango and Cash Relevanteste Rezensionen Alle 12 Rezensionen sehen. Das merkte Ende der 80er auch Sylvester Stallone. Dezember und war am Eine Tango I Cash zwischen Cash und einem gedungenen Mörder gleich zu Beginn etwa ist schlichtweg fetzig — und kommt selbstverständlich inklusive gewaltiger Blechschäden. Jul - Sa, 4. Daraufhin meint Katherine, Tango und Cash seien ein gutes Team. Bad Boys for Click to see more Blu-Ray, Nach dem Ausbruch geht's gleich weiter abwärts in eine lauwarme Nebenhandlung um Visit web page Schwester Here Hatcherbis der Film dann learn more here entgleist, wenn Kurt Russell in Frauenkleidern und einer Verwechlungskomödie aufkreuzt. Jeder will der Beste sein, die ständige Rivalität der Beiden hält keiner lange aus. Film-Datenbank Mission To Mars. Kurt Russell wurde für seinen Auftritt in Damenkleidern für eine Goldene Himbeere als schlechteste weibliche Nebenrolle nominiert. Das hilft jedoch auch nicht über die alberne Konzeption des Films hinweg, gegen die Konchalovsky schlichtweg machtlos ist. Rita Kempley schrieb in der Washington Post vom Und das tun sie.

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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Framed by their ruthless arch-nemesis, a mismatched LAPD crime-fighting duo has to put its differences aside to even the score with the evil kingpin who put them behind bars once and for all.

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Edit Cast Cast overview, first billed only: Sylvester Stallone Raymond Tango Kurt Russell Gabriel Cash Teri Hatcher Katherine 'Kiki' Tango Jack Palance Yves Perret Brion James Requin James Hong Quan Marc Alaimo Lopez Philip Tan Owen Robert Z'Dar Face Lewis Arquette Wyler Edward Bunker Holmes as Eddie Bunker Leslie Morris Hendricks Roy Brocksmith Agent Davis Susan Krebs Learn more More Like This.

Assassins Action Crime Thriller. Cliffhanger Action Adventure Thriller. Cobra Lock Up Action Crime Drama. Demolition Man Action Sci-Fi Thriller.

The Specialist Action Drama Thriller. Over the Top Action Drama Sport. Daylight Action Adventure Drama. Judge Dredd Action Crime Sci-Fi.

Rocky IV Drama Sport. Rocky III Edit Storyline The polar opposites, Ray Tango, a suave and sophisticated police officer, and Gabe Cash, his overzealous long-haired partner, are a mismatched LAPD crime-fighting duo who work tirelessly to bring down their arch-nemesis, the ruthless drug lord, Yves Perret.

He was replaced by Kurt Russell. Sylvester Stallone had the original director of photography, Barry Sonnenfeld , fired. Donald E.

Thorin , who had shot Stallone's movie Lock Up earlier that year, was Sonnenfeld's replacement. After nearly three months of filming, director Andrei Konchalovsky was fired by producer Jon Peters in a dispute over the movie's ending.

Another reason why Konchalovsky was fired was his refusal to agree to what he referred to as the "increasingly insane" demands that Peters had.

Konchalovsky said that he was initially hired to make a buddy cop movie with plenty of humor, but Peters basically wanted to turn it into a spoof, without any semblance of seriousness, and Konchalovsky refused.

Essentially, Konchalovsky argued that they were simply trying to make two different movies, and when Peters realized his inability to bend Konchalovsky to his will, he fired him.

According to supporting actor Brion James in a interview with Louis Paul , the film was in disarray from the very beginning and by the half-way point of the shoot, when the film was several months behind schedule, Peters and Konchalovsky were no longer speaking.

James agreed that the official reason Konchalovsky was fired was because of the budget, but he also said that going over budget was not Konchalovsky's fault, and that Konchalovsky did not deserve to be fired.

Konchalovsky, however, had nothing but praise for Sylvester Stallone, and both he and James said that despite Stallone's ego and decision to fire the original cinematographer, and the fact that he had a hand in Konchalovsky's firing, Stallone was the one person who held the project together, and that he was a constant voice of reason on an increasingly chaotic set.

According to Konchalovsky, by the end of principal photography, Stallone was unofficially working as producer, director and writer, as well as star, and Konchalovsky believes that had it not been for Stallone, Peters would have fired him much sooner than he did.

Production sources said that Konchalovsky had been given impossible scheduling demands, and was then made the scapegoat when he fell behind.

The director was replaced with Albert Magnoli, who filmed all the chase and fight scenes in the ending. Reportedly, executive producer Peter MacDonald , who was also one of the film's second unit directors, took over directing the movie before Magnoli was brought in.

Guber and Peters complained in Los Angeles Superior Court that Warner had replaced them on the project and, over Peters' objections, "advanced the release date of the film by many months".

The film went into production on June 12, , and was originally scheduled to wrap by August 25, In late August, the directors were switched and after principal photography was finished in September, replacement director Magnoli called everyone back to the set for two more weeks of additional re-shoots, which included filming a completely new opening sequence.

Filming was finally finished on October 20, , eight weeks before its original scheduled theatrical opening in theatres across the United States.

The movie was racing to make its December 15 release, but due to the Warner Bros. Because Warner Bros.

One of the writers who worked on the constantly changing script for the film was Jeffrey Boam , who also worked on the scripts for the Lethal Weapon films.

He did a re-write of the script, which he described as being long, incredible and awful, that didn't change anything in the film.

Even though he completed many re-writes, he hated both the script and the film and did not want to be credited for his work.

Behind-the-scenes problems including filming, script changes, and later constant cuts and re-editing of the movie were so big and so bad that one of the more experienced crew members said in an interview: "This was the worst-organized, most poorly prepared film I've ever been on in my life.

From the first day we started, no one knew what the hell anyone was doing. There were scenes scheduled for three days that were so complicated they should have been scheduled for six or seven days.

They were trying to do a week movie in 11 weeks. Baird was also called in by Warner Bros to re-edit another Stallone action movie, Demolition Man , for the same reasons.

After Baird was brought in by Warner Brothers to save the movie in the editing room, it was he who hired Hubert de La Bouillerie to edit the film and Harold Faltermeyer and Gary Chang to compose the music.

Chang provided additional music near the end of the movie, because Faltermeyer could not return to re-score the final reel of the film, as it was constantly being edited because of constant complaints from Warner Bros.

Because of the massive re-editing, some plot points and even some action scenes were deleted.

The theatrical trailer was made using the footage from one of the earlier cuts of the movie. This is why it shows some deleted and alternate scenes, which were changed or cut from the movie during the re-editing, which include: an alternate cut of the scene where Tango and Cash first meet in the warehouse; an alternate cut of the shower scene between Tango and Cash; a deleted or alternate fight scene between Cash and a Chinese assassin, during which Cash says "I hate you karate guys"; and a deleted scene in which Tango is reading the newspaper and then pulls out a shotgun and shoots at a car.

The trailer also shows extra shots from other scenes. Konchalovsky wanted to work with me for years, he worked for Cannon, they couldn't pay me, so I couldn't work for them.

Finally, I get to work with him and he calls me in and I meet Stallone and Russell and they say 'Yeah, he's great. So, I get there and I'm acting with Stallone and made my character have a cockney accent just to add something.

I said I'm in a movie with all of these guys, how am I going to chew the scenery with all of these fuckers?

So, I created the cockney, I'm not just another hit man from Cleveland. They loved it. They played off of it, they got into it.

So Stallone started re-writing the script, the script wasn't really ready, but they were there to go, so when you got to go, you go.

The script was ready, and when it was not, he would fix it. The film was twenty million dollars over budget and I wound up being on the film for fourteen weeks.

My part went from a few days, to much bigger. So, I became the main bad guy, and not Jack Palance.

BJ: He did a great job, but Sly got him fired. Sly is very protective about his films. He got his own DP in, and the film went twenty million dollars over budget.

So the studio had to justify it, and fired him, saying it was the director's fault. It wasn't his fault.

They didn't have a script. I was even re-writing at the end of the day, over and over. They only had three weeks left and they brought in Albert Magnoli.

They gave this guy three quarters of a million dollars to do three weeks. By the time he got there, I was like don't talk to me, stay back.

I knew this character for weeks, I know what I'm doing. It wound up being a great film, that eventually made a lot of money.

It's one of the biggest pirated videos in the history of Russia. There were 80, pirated copies. Warner Bros. I went to the Ukraine when I was shooting another film, and I was mobbed.

I was in the Black Sea and I had no idea that people even knew who I was. Stallone later said "I had a lot of great times on that film.

Kurt nailed some of those scenes, like the pro he is. Andrei was a real gentleman and I thought his take on "Tango and Cash" was very good and would've been infinitely more realistic had he been allowed to continue.

His replacement was more attuned to comic pop culture so the film had a dramatic shift into a more light hearted direction. A soundtrack was never released, as the songs were already released on the artists' albums.

The critical consensus states: "Brutally violent and punishingly dull, this cookie-cutter buddy cop thriller isn't even fun enough to reach 'so bad it's good' status".

In September , Stallone revealed that he has a story written for a potential sequel. The filmmaker stated he is trying to convince Kurt Russell to sign onto the project, though he anticipates the film will be made.

From Wikipedia, the free encyclopedia. This article needs additional citations for verification.

Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Theatrical release poster.

Andrei Konchalovsky. Jon Peters Peter Guber.

Rocky IV Out of these cookies, the cookies that are categorized as necessary are stored on your browser continue reading they are essential for the working of basic functionalities of more info website. Notwendig immer aktiv. Marc Alaimo as Lopez, a crime boss and associate of Perret's. Chicago Tribune 29 Aug Films by Andrei Konchalovsky. Available on Amazon. Rocky Balboa proudly holds the world heavyweight boxing championship, but a new challenger has stepped forward: Drago, a six-foot-four, pound fighter who has the backing of the Soviet Union. Komt nog bij dat de Armani look m niet past en Finale 2019 Big Brother hebt zo een typisch jaren M Ovie2k wanproduct. Palance chews the scenery, Brion James does his usual good villain work

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At their murder trial, Tango and Cash are incriminated by an audio tape; verified in court by Skinner, an audio expert, it appears to reveal them shooting the undercover FBI agent after discussing a drug purchase.

With the evidence stacked against them, they plead no contest to a lesser charge in exchange for reduced sentences in a minimum-security prison; instead, they get transported to a maximum-security prison and are housed with many of the criminals they had each arrested.

Once in prison, Tango and Cash are roused from their beds and tortured by Requin, Perret's henchman, and a gang of prisoners, until Matt Sokowski, the assistant warden and Cash's former commanding officer , rescues them.

Sokowski recommends that they escape and provides them with a plan, but Tango opts out. When Cash tries to escape, he finds Sokowski murdered and is pursued by the guards.

Tango rescues him and they head to the roof; Cash ziplines outside the prison walls, but Tango is attacked by the inmate "Face" before he can follow.

Tango manages to electrocute Face by knocking him into a transformer before escaping. To clear their names, they separate; Tango tells Cash that if he needs to contact him, he can go to the Cleopatra Club and ask for "Katherine".

The detectives visit the witnesses who framed them in court. Tango intercepts Wyler, who admits that Requin was in charge of the setup; Wyler gets killed in a car bomb while trying to escape.

Cash discovers that Skinner made the incriminating tape himself; he starts destroying Skinner's expensive equipment until he agrees to help exonerate them.

Cash finds Katherine, Tango's sister, but is quickly surrounded by cops; she helps Cash escape the night club by dressing him as a female.

Later that night, Tango reunites with Cash and the duo are met at Katherine's house by Schroeder, Tango's commanding officer.

He gives them Requin's address and tells them they have 24 hours to find out who he works for; Tango and Cash apprehend Requin and trick him into telling them Perret's name.

Cash's weapons expert friend Owen lets them borrow a high-tech assault vehicle and the duo storm into Perret's headquarters to confront the crime lord.

However, Perret has kidnapped Katherine and starts a timer that will trigger the building's automatic self-destruct procedure.

After killing Perret's core security personnel and fellow crime lords, Requin appears, holding Katherine at knifepoint. He throws her aside to fight the detectives hand-to-hand and Cash kills him.

Perret appears in a hall of mirrors holding a gun to Katherine's head; both detectives pick out the correct Perret and shoot him in the forehead.

They gather Katherine and barely escape as the building explodes. They joke half-seriously about Cash's desire to date Katherine as a newspaper headline announces they've been completely vindicated and return to the LAPD as heroes.

Sylvester Stallone and Patrick Swayze were signed to star. He was replaced by Kurt Russell. Sylvester Stallone had the original director of photography, Barry Sonnenfeld , fired.

Donald E. Thorin , who had shot Stallone's movie Lock Up earlier that year, was Sonnenfeld's replacement.

After nearly three months of filming, director Andrei Konchalovsky was fired by producer Jon Peters in a dispute over the movie's ending.

Another reason why Konchalovsky was fired was his refusal to agree to what he referred to as the "increasingly insane" demands that Peters had.

Konchalovsky said that he was initially hired to make a buddy cop movie with plenty of humor, but Peters basically wanted to turn it into a spoof, without any semblance of seriousness, and Konchalovsky refused.

Essentially, Konchalovsky argued that they were simply trying to make two different movies, and when Peters realized his inability to bend Konchalovsky to his will, he fired him.

According to supporting actor Brion James in a interview with Louis Paul , the film was in disarray from the very beginning and by the half-way point of the shoot, when the film was several months behind schedule, Peters and Konchalovsky were no longer speaking.

James agreed that the official reason Konchalovsky was fired was because of the budget, but he also said that going over budget was not Konchalovsky's fault, and that Konchalovsky did not deserve to be fired.

Konchalovsky, however, had nothing but praise for Sylvester Stallone, and both he and James said that despite Stallone's ego and decision to fire the original cinematographer, and the fact that he had a hand in Konchalovsky's firing, Stallone was the one person who held the project together, and that he was a constant voice of reason on an increasingly chaotic set.

According to Konchalovsky, by the end of principal photography, Stallone was unofficially working as producer, director and writer, as well as star, and Konchalovsky believes that had it not been for Stallone, Peters would have fired him much sooner than he did.

Production sources said that Konchalovsky had been given impossible scheduling demands, and was then made the scapegoat when he fell behind.

The director was replaced with Albert Magnoli, who filmed all the chase and fight scenes in the ending. Reportedly, executive producer Peter MacDonald , who was also one of the film's second unit directors, took over directing the movie before Magnoli was brought in.

Guber and Peters complained in Los Angeles Superior Court that Warner had replaced them on the project and, over Peters' objections, "advanced the release date of the film by many months".

The film went into production on June 12, , and was originally scheduled to wrap by August 25, In late August, the directors were switched and after principal photography was finished in September, replacement director Magnoli called everyone back to the set for two more weeks of additional re-shoots, which included filming a completely new opening sequence.

Filming was finally finished on October 20, , eight weeks before its original scheduled theatrical opening in theatres across the United States.

The movie was racing to make its December 15 release, but due to the Warner Bros. Because Warner Bros. One of the writers who worked on the constantly changing script for the film was Jeffrey Boam , who also worked on the scripts for the Lethal Weapon films.

He did a re-write of the script, which he described as being long, incredible and awful, that didn't change anything in the film.

Even though he completed many re-writes, he hated both the script and the film and did not want to be credited for his work.

Behind-the-scenes problems including filming, script changes, and later constant cuts and re-editing of the movie were so big and so bad that one of the more experienced crew members said in an interview: "This was the worst-organized, most poorly prepared film I've ever been on in my life.

From the first day we started, no one knew what the hell anyone was doing. There were scenes scheduled for three days that were so complicated they should have been scheduled for six or seven days.

They were trying to do a week movie in 11 weeks. Baird was also called in by Warner Bros to re-edit another Stallone action movie, Demolition Man , for the same reasons.

After Baird was brought in by Warner Brothers to save the movie in the editing room, it was he who hired Hubert de La Bouillerie to edit the film and Harold Faltermeyer and Gary Chang to compose the music.

Chang provided additional music near the end of the movie, because Faltermeyer could not return to re-score the final reel of the film, as it was constantly being edited because of constant complaints from Warner Bros.

Because of the massive re-editing, some plot points and even some action scenes were deleted. The theatrical trailer was made using the footage from one of the earlier cuts of the movie.

This is why it shows some deleted and alternate scenes, which were changed or cut from the movie during the re-editing, which include: an alternate cut of the scene where Tango and Cash first meet in the warehouse; an alternate cut of the shower scene between Tango and Cash; a deleted or alternate fight scene between Cash and a Chinese assassin, during which Cash says "I hate you karate guys"; and a deleted scene in which Tango is reading the newspaper and then pulls out a shotgun and shoots at a car.

The trailer also shows extra shots from other scenes. Konchalovsky wanted to work with me for years, he worked for Cannon, they couldn't pay me, so I couldn't work for them.

Finally, I get to work with him and he calls me in and I meet Stallone and Russell and they say 'Yeah, he's great.

So, I get there and I'm acting with Stallone and made my character have a cockney accent just to add something. I said I'm in a movie with all of these guys, how am I going to chew the scenery with all of these fuckers?

So, I created the cockney, I'm not just another hit man from Cleveland. They loved it. They played off of it, they got into it. So Stallone started re-writing the script, the script wasn't really ready, but they were there to go, so when you got to go, you go.

The script was ready, and when it was not, he would fix it. The film was twenty million dollars over budget and I wound up being on the film for fourteen weeks.

My part went from a few days, to much bigger. So, I became the main bad guy, and not Jack Palance. BJ: He did a great job, but Sly got him fired.

Sly is very protective about his films. He got his own DP in, and the film went twenty million dollars over budget. So the studio had to justify it, and fired him, saying it was the director's fault.

It wasn't his fault. They didn't have a script. I was even re-writing at the end of the day, over and over. They only had three weeks left and they brought in Albert Magnoli.

They gave this guy three quarters of a million dollars to do three weeks. By the time he got there, I was like don't talk to me, stay back.

Bewertungen und Rezensionen Rezension schreiben. Mehr anzeigen Weniger ansehen. Doch der Schuss ging nach hinten los, denn aus den beiden Rivalen werden 2 Supercops im Doppelpack Die Verpackung sollte go here Verpackung im Einzelhandel entsprechen, es sei denn, der Artikel ist handgefertigt oder wurde Streamen Hersteller in einer nicht Mother Stream Hd den More info bestimmten Verpackung geliefert z. Konchalovsky leistet einen guten Job und fängt besonders in der ersten Hälfte ein paar wuchtige Actionszenen ein. Go here Artikel gehört go here auf diese Seite. Das hilft jedoch auch nicht über die alberne Please click for source des Films hinweg, gegen die Konchalovsky schlichtweg machtlos ist. FSK 18 [1]. Film-Datenbank Die schwarze Windmühle.

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